Prior to a screening on February 21, 2019, of Max Ophüls’ last film made before his emigration from Nazi Germany to France in TIFF Cinematheque's retrospective "The Pleasure of Seeing: The Sublime Cinema of Max Ophüls", Jutta Brendemühl, Program Curator at the Goethe-Institut Toronto, discusses the socio-political implications of what is regarded as one of Ophüls' most accomplished romantic dramas, as well as production and censorship aspects and the film's lasting allure.
Wednesday, February 27. 2019
"I'll know tomorrow" -- The Politics of Max Ophüls' Liebelei
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