
To my mind, Herzog is adding another chapter to his decades-long investigation of extreme circumstance with this nightmarish documentary, but Hadley sees more of a departure here:
”Into the Abyss is Herzog's most human film since Grizzly Man as it focuses more on people than physical endurance or achievement (… He ) also shows a whole community (…) and, through it, the failure of the American penal system and the near-impossibility of escaping poverty in the US when one has been born into it (…).
In the print version in the Guardian, she concludes with a different sort of death sentence: “To watch these two movies together is to watch the progressive death of the American dream, and to see it become a crippling lie. (...y)ou know a country is in real dire straits when it’s not the politicians who reflect it – it’s Werner Herzog.” I think he will be flattered though.
Read the online article here.
by Jutta Brendemühl, Goethe-Institut Toronto