Loy Krathong - Anothai Nitibon

Some believe the ceremony is held in order to ask for forgiveness from Pra Mae Khongkha (the river goddess) for the damage and pollution caused to the river on a daily basis. Some allow their misfortune to float away while asking for their wishes to be granted.

This project sets out to reflect the changes in people’s attitudes towards the Chao Phraya River in present day Thailand. Through the ceremonial festival of Loi Krathong, we will observe the change of attitudes and also reflect the faded importance of the river (and the Loi Krathong’s philosophy) in the life of younger generation Thais. Especially after the time of dramatic floods in Thailand during October and November 2011, when so many lives were affected by the river, what will the people wish for on Loi Krathong? What kind of apology can possibly be given to the river after such a strong demonstration of her natural powers of revenge?

Curated by: Apisak Sonjod


Anothai Nitibhon







Based in Thailand at the Silpakorn University, Faculty of Music, Anothai Nitibhon and Jean-David Caillouët have collaborated in many projects involving sound, visuals and performance. With their background in musical composition and sound design, they co-compose and curate ranges of creative works including compositions, improvisations, and installations.

Working together with a group of students, they explore possibilities in using sound to express a discourse relating to social issues in Thailand. Their curatorial projects involve the exhibitions “Sounding Confusion” (2010) at Chiang Mai University’s Art Gallery discussing the understanding of contemporary sonic phenomenon among younger generation Thais. The “Echoes I/II” (2011/ 2012) exhibitions at the Bangkok Art and Culture Centre (BACC) were focused on the use of sound and visuals to reflect changes in Thai society.