I hate French films. I love Italian cinema. If someone said that to you, you'd have a pretty good idea of what they mean in terms of aesthetics, style, mood. German film? Not so much, at least post-New German Cinema with its heroes Fassbinder, Kluge, von Trotta et al. Of course there is the contemporary (and equally auteur-focused) Berlin School with its Petzolds and Hochhäuslers (which German director Oskar Roehler defined as "slow and depressing"). And recently, Germany has been very strong and internationally successful in children’s films and high-quality animation. But these are vogues or sub-industries rather than a big picture, a brand, a distinct and distinctive brand.
Continue reading "What is a German/European Film?" »
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Tuesday, November 8. 2016
What is a German/European Film?
I hate French films. I love Italian cinema. If someone said that to you, you'd have a pretty good idea of what they mean in terms of aesthetics, style, mood. German film? Not so much, at least post-New German Cinema with its heroes Fassbinder, Kluge, von Trotta et al. Of course there is the contemporary (and equally auteur-focused) Berlin School with its Petzolds and Hochhäuslers (which German director Oskar Roehler defined as "slow and depressing"). And recently, Germany has been very strong and internationally successful in children’s films and high-quality animation. But these are vogues or sub-industries rather than a big picture, a brand, a distinct and distinctive brand.
Continue reading "What is a German/European Film?" »
