I hate French films. I love Italian cinema. If someone said that to you, you'd have a pretty good idea of what they mean in terms of aesthetics, style, mood. German film? Not so much, at least post-New German Cinema with its heroes Fassbinder, Kluge, von Trotta et al. Of course there is the contemporary (and equally auteur-focused) Berlin School with its Petzolds and Hochhäuslers (which German director Oskar Roehler defined as "slow and depressing"). And recently, Germany has been very strong and internationally successful in children’s films and high-quality animation. But these are vogues or sub-industries rather than a big picture, a brand, a distinct and distinctive brand.
Continue reading "What is a German/European Film?" »
Entries tagged as cinematheque
animation auteur berlin berlinale emerging experimental fassbinder festival german films goethe-institut industry production shorts tiff venice biennale video art wall eidinger goethe graf heimat husain kosslick krens reitz schilling tv academy of the arts africa ai wei wei akin argentina arslan art atef babelsberg barbara beer berlinale blogger berlinale people berlinaleblogger blogger brecht brendemühl bruehl brühl buenos aires celeste cid censorship crime defa django doc docs documentary dresen eisler euff film museum munich film museum vienna forum forum expanded frankfurt gdr german german film awards german film institute goethe films götz george hamburg hannah arendt hannah herzsprung hans-christian schmid harvard heritage history hitler holocaust holocaust education week hoss hot docs hotdocs hueller imaginative indigenous jeanine meerapfel jewish karl marx karmakar klaus kinski kraume kurosaw la amiga link ludwig lulu wang lumet malou mario adorf market max riemelt maximilian schell nadda naomi watts native nazis neue road movies nikolai kinski nina hoss nina koennemann offenbach opening oscar panorama performance peter sehr petzold pevere philippe diaz post-communist post-system post-war premiere producer punk residency retrospective rogowski ronald zehrfeld sabin tambrea sarah polley schiller schlingensief schloendorff schlöndorff short film spain stuber sturm und drang super 8 telefilm thriller til schweiger tom schilling tykwer uwe ochsenknecht veiel venice venice film festival visconti war wenders werner herzog wim wenders wolfgang petersen wwii zkm asia award canada environment female gaze film museum filmmaker herzog imagesfestival innovation lightbox ottinger picard planet in focu pov refugees review series shooting stars simard studio babelsberg hirsch nekes schroeter snow wyborny austria cinema genre images festival masters moma oberhausen osnabrueck soccer 35mm co-presentation heimatfilm shanghai soundofheimat sönke wortmann tbilisi tinatin gurchiani transnational michael snow funding acting bleibtreu bo odar cannes composer donnersmarck family fehling gröning hegemann india item number jasmine ellis jorgen lerdam julia von heinz kari juusonen kika kraus krüger könnemann lau marcus o. rosenmüller michael ekbald mike marzuk mini cinéphiles mongrel montreal music oliver dieckmann oliver husain ozon philipp stennert reel 2 real reinhard klooss robert thalheim soundtrack star escalator stephan schesch sundance talent ted sieger terror tiff kids top ten trotta uni acronym vancouver viewfinders atlantic film festival for youth western when santa fell to earth wickie wolfgang groos wunderkind zlin film festival
Tuesday, November 8. 2016
What is a German/European Film?
I hate French films. I love Italian cinema. If someone said that to you, you'd have a pretty good idea of what they mean in terms of aesthetics, style, mood. German film? Not so much, at least post-New German Cinema with its heroes Fassbinder, Kluge, von Trotta et al. Of course there is the contemporary (and equally auteur-focused) Berlin School with its Petzolds and Hochhäuslers (which German director Oskar Roehler defined as "slow and depressing"). And recently, Germany has been very strong and internationally successful in children’s films and high-quality animation. But these are vogues or sub-industries rather than a big picture, a brand, a distinct and distinctive brand.
Continue reading "What is a German/European Film?" »
