
druga scena
Intro
druga scena / other scene was among the first self-organised networks of organisations and individuals who were active in the field of contemporary arts. Its creation came as a response to the then articulated cultural policies of the first post-Milosevic governments and their clear liberal orientation.
druga scena, based in Belgrade, was gathered around regular critical discussions on the current policies and processes, claiming the space for the independent scene. This research will try to uncover reasons for the deletion from the public memory of druga scena and will found its arguments in the ideology shift in the early 2000s in Serbia.
druga scena, based in Belgrade, was gathered around regular critical discussions on the current policies and processes, claiming the space for the independent scene. This research will try to uncover reasons for the deletion from the public memory of druga scena and will found its arguments in the ideology shift in the early 2000s in Serbia.
PARTICIPANTS

Marijana Cvetkovic
Marijana Cvetkovic

Actopolis-City: Belgrade
Cultural worker and activist. Co-founder of Station Service for contemporary dance and Nomad Dance Academy, a Balkan platform for the development of contemporary dance and the performing arts. Lecturer at the University of Arts in Belgrade. Works with museums. Publishes texts and edits books on dance, performing arts, cultural policy and museums.
Cvetkovic’s main interests are in the fields of independent culture, contemporary performing arts, museum studies and cultural policy. All these fields are approached through critical theory and practice, institutional critique and transdisciplinarity.
Cultural worker and activist. Co-founder of Station Service for contemporary dance and Nomad Dance Academy, a Balkan platform for the development of contemporary dance and the performing arts. Lecturer at the University of Arts in Belgrade. Works with museums. Publishes texts and edits books on dance, performing arts, cultural policy and museums.
Cvetkovic’s main interests are in the fields of independent culture, contemporary performing arts, museum studies and cultural policy. All these fields are approached through critical theory and practice, institutional critique and transdisciplinarity.